A SUMPTUOUS FEAST
Susan Jarvis,
Capital News

Take a bunch of crazy fiddlers, add in
some of the best musicians in the
country, and you’ve got a recipe for —
well, a musical feast. In this case, the
FIDDLERS FEAST.
The Fiddlers Feast is the latest
incarnation of the Fiddlers’ Festival, a
moveable smorgasbord of players which
first began its life at the 2006
Tamworth Festival. The band has now
evolved into an international sensation,
performing at festivals in Japan,
Europe, Hong Kong and of course all over
Australia.
And it’s that international aspect of
the group that has led to its name
change, according to the man behind the
whole concept, Marcus Holden.
"When we started going overseas, we soon
realised the name Fiddlers Festival was
confusing people. After all, there are
fiddlers’ festivals all over the world,
and our band name no longer worked in
that context," Marcus said.
"Besides, the word ‘Feast’ conjures up
all kinds of wonderful images —
delicious, indulgent, extravagant things
that suit us perfectly."
To celebrate their new name, and their
more or less permanent lineup — which
has consolidated over the past couple of
years — the Fiddlers Feast has also
released a brand new album, Frenzee,
which showcases the extraordinary
talents of this bunch of zany, brilliant
players.
Frenzee also reveals some prodigious
songwriting talent amongst them, with
tracks written by Marcus, Clare O’Meara,
Garry Steel, Mark Oats and George
Washingmachine.
The core members of the Fiddlers Feast
are Marcus Holden, Mark Oats and Clare
O’Meara on fiddle, with Garry Steel
weaving his magic on accordion, John
Coker on bass and Rodney Ford on drums.
"The new rhythm section, which really
came together in Tamworth this year, has
enabled us to really move forward, and
evolve as a band," Marcus said.
"We also have frequent guest appearances
from Andrew Clermont, when he’s in the
country, and from George Washingmachine,
but they’re both incredibly busy — come
to that, so is everyone in this band!"
Indeed, the Fiddlers Feast crew are
amongst the most in-demand musicians in
Australian music (Irish, folk and rock,
as well as country). But the group
members are all thrilled both with the
new album, and with the Fiddlers Feast’s
rapidly growing international profile.
They’ve just returned from a week in
Japan, where they performed at the
inaugural Japan Fiddle Festival in
Osaka, and earlier in the year they
performed for 700,000 people at a
special Australian-themed Festival Inter
Celtique in Brittany, France. JOHN
WILLIAMSON and WARREN FAHEY were also
guests at the festival.
Frenzee reflects the diverse musical
influences and amazing energy of this
unique band, with an eclectic mix of
original tracks, fresh takes on
classics, and even some impressive
vocals from Clare.
"Clare has emerged as a wonderful
singer. She has a very distinct style,
which suits this music perfectly,"
Marcus said.
One example is the NINA SIMONE classic
My Baby Just Cares for Me, while a
quirky version of the MEN AT WORK song
Down Under (with some additions) is
another. This song was put together last
time the band toured Japan.
Clare’s songwriting is also very much in
evidence on the album. She penned
several superb tracks for Frenzee,
including Arachnareelia (inspired by her
experiences of sharing a house with
numerous spiders), Stompsville — a
reaction to a grumpy child on a wet day
— and Split The Difference.
Marcus’s most notable contribution to
Frenzee is arguably his bizarre
arrangement of the Mozart classic Eine
Kleine Nachtmusik, which has now become
Eine Kleine Nutmusik. Marcus refers to
it as a "decomposition", and it has to
be heard to be believed.
He also wrote the two-part Tinker’s Way,
which is a wonderfully evocative
composition, as well as Talk To Tony
(penned with Garry Steel, Mark Oats and
George Washingmachine), the catchy
Catgut Strut and Get Stuffy, eventually
named by his wife Robyn.
In addition, the album features several
superb versions of other songs. Amongst
the highlights are Rocket Pilots, the
beautiful jazz piece How High the Moon
(also featuring Clare on vocals), and a
song that’s almost become the Fiddlers
Feast theme, Holiday for Strings.
Frenzee is a superbly crafted,
brilliantly performed and energy-packed
album that captures everything that
makes the Fiddlers Feast such a special
group — and one which is sure to
continue taking the world by storm over
the next few years. |
 |
|
 |
|
|
|
|